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乾隆粉彩三尊纹盘12961978

藏品价格
议价
质地
瓷质
经手人
赵总监
藏品年代
清代
藏品来源
湖北丹江口
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  • 藏品编号 12961978
  • 产品说明
  • 彩瓷器的烧制始于康熙晚期,雍正、乾隆时其制作工艺达到顶峰,并完全取代五彩成为釉上彩主流,从而成为清代宫廷用瓷中的一个重要品种。虽然官造粉彩在目前国内拍场中的价格无法超越元青花,但价格稳定,目前已成为各大拍卖行追捧的“新星”。随着粉彩中的精致之器逐步被人们认识了解,它的艺术价值、市场价值也会越来越凸显出来。乾隆皇帝对书画、诗词以及各类工艺品的喜爱达到狂热程度,对瓷器的偏爱尤甚。乾隆皇帝对瓷器的喜爱不仅停留在赏玩层面,甚至直接参与到瓷器制作中,对宫内制瓷诸事屡屡过问,其痴迷程度尤甚其父雍正皇帝。

    The firing of colored porcelain began in the late Kangxi period, and reached its peak in Yongzheng and Qianlong. It completely replaced the five colors and became the mainstream of glaze color, thus becoming an important variety of palace porcelain in Qing Dynasty. Although the price of official pastel can not surpass that of Yuanqing Blue and White in the current domestic auction venues, the price is stable and has become a "new star" sought after by major auction houses. As the exquisite objects in pastel are gradually recognized and understood by people, their artistic value and market value will become more and more prominent. Emperor Qianlong was enthusiastic about painting, calligraphy, poetry and various arts and crafts, especially about porcelain. Emperor Qianlong's love for porcelain not only stayed at the level of enjoyment, but also directly participated in the production of porcelain. He repeatedly questioned various things about making porcelain in the palace, especially his father Yongzheng Emperor.

    彩磁器の焼制は康熙晩期に始まり、雍正、乾隆時の制作工芸は頂上に達し、五彩の代わりに釉上彩が主流となり、清代宮廷用磁器の中の重要な品種となった。官製の粉彩は現在の国内撮影場での価格はサバを超えられないが、価格は安定しているが、現在では、各競売に追われた「新星」となっている。粉飾の中の精緻な器が人々に理解されるにつれて、その芸術価値、市場価値もますます浮き彫りになる。乾隆皇帝は、書画や詩詞、そして様々な工芸品の好みに熱狂し、磁器に対する偏愛がある。乾隆皇帝の磁器に対する好みは、賞玩面に留まるだけでなく、磁器の制作にも直接参加し、宮内製の磁器の諸事についてたびたび尋ねた。

    채자기는강희의말기부터, 옹정, 건륭시의제작공예가정상에이르렀고, 오채를유약주류로대체하여청대궁중용자중의중요한품종이되었다.현재국내촬영장중가격은원청화를뛰어넘을수없지만가격은안정적이며현재각종경매행이두드러진 ‘신별’이되고있다.분채의정교한그릇이점차알게되면서, 예술적가치, 시장가치도점점두드러진다.건륭황제는서화, 시사, 각종공예품에대한애정이열광정도에달하며자기에대한선호가더욱심하다.건륭황제는자기자신에대한애정은물론감상차원에머물뿐만아니라자기제작에직접참여해궁내제자기에대한모든일에대해누차묻는것은그치매정도가더욱심했다. 옹정황제.

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